Reviews/Blurbs

Advance praise for The Suburban Swindle

• “Sharp, bold, and deeply affecting, Jackie Corley’s stories are like poetry made from the gritty stuff of hard-scrabble life. Dead garden snakes and forgotten video games, gravestone statues that seem to dance in the night: in Corley’s able hands, the mundane, even the ugly, are transformed. The young men and women who struggle through her slim, piercing collection, stay with you long after you’ve finished reading; tough-talking and scarred, tattooed and tender, they search Corley’s dirty, sparkling New Jersey streets for something always just out of reach.

  “A fiercely original debut. Corley is a talent to watch.”
  -Scott Snyder, author of Voodoo Heart

• “Finally a 20-something author who is neither precious nor coddled. Finally a young writer who writes about life as it actually is instead of some trust fund prick’s fantasy of America. Jackie Corley is almost completely alone among the new set of writers in that she is actually telling stories about real humans. And she is telling them well, with the kind of immediacy that most young writers have had beaten out of them in MFA factories. Corley is original and unforgiving. I cannot say enough about Jackie Corley. She doesn’t flinch. Read this book.”
  -Ian Spiegelman, Welcome to Yesterday

• “I am tempted to compare Jackie Corley’s writing to a strong cup of coffee. It wakes you up, it gets you addicted, and sometimes it’s burning hot. Or I could say it’s like whiskey–it’s strong, it blurs your vision, and gives you the guts to face the hard truths and bitter pains of life. But forget about those liquid comparisons, because Corley’s work is solid! The Suburban Swindle unleashes a new, bold, American voice that you’d be foolish to ignore.”
  -Kevin Sampsell, Creamy Bullets

Quotes - Reviews

• “The exclusively online Word Riot (www.wordriot.org) publishes some of the most original work around.”
  -Nina MacLaughlin, The Boston Phoenix review of literary magazines.

• “Jackie Corley gave the best reading of the evening from one of her own short stories titled, ‘Suburban Swindle’. Corley’s story was a gritty sentimental interpretation of love between a little brother and older sister. Her voice was fierce and independent but tempered with hard knocks love, it reminded me of Jodie Foster’s characters. At one point she describes a feeling in the story as ‘thick and beautiful,’ which I think captures her tone. I’m looking forward to hearing more from her.”
  -Elizabeth DeCoursey, New York Cool review of Plastic Sugar Press‘ August 17, 2004 reading.

• “Jackie Corley, creator of Word Riot, a monthly online literature magazine, was the sole female author. Her piece was surprisingly mellow, concentrating on her relationship with her brother. And yet the simplicity of its theme belies the complexity of the work’s form and language. Weaving metaphors and analogies more adeptly than your grandmother’s yarn, Corley connected to her audience and the material without resorting to emotional bulimia. Through a detached lens and a good dose of ironic retrospect, Corley delivered a poignant and moving conclusion on family ties and one’s ability to save siblings, or anyone, from themselves.”
  -Susan Posluszny, Yale Daily News review of Feed the Young Writers September 28, 2004 reading.

Greatest fan quote ever:

“Shit. I just can’t seem to say enough good about Jackie Corley. She’s just such a phenomenal writer. Listen:

“You know something’s special real quickly. It doesn’t take much exposure. Not much at all, when it’s something really done with love and soul and heart. With Jackie’s writing, you know it even sooner than that. Like the first sentence. I swear when I read the words “You cry for Foster” for the first time, and for each time thereafter, I knew I was in for something I hadn’t bargained for. And the more I read, the deeper it got.

“There are times when you just want to drop everythng and scream. For the love, the passion of it all. Also the sickness, the blinding disgust you feel when you realise that nobody else is ever going to have the exact same experiences as you. Ever, period. Foster O’Reilly, the story, and the character, made me want to drop everything and just scream.

“That’s not to say it’s maddening. I mean, it is, but for all the right reasons. But there’s a joy underneath it, like crumbs under the kitchen tablecloth. There’s a real (and i mean REAL, god damn it) joie de vivre and an urgency toward the sacred preciousness of The Moment, a celebration of those things we can never have back again. It’s like hearing a silly kid’s nursery-rhyme song at a funeral: there’s a purity there that you just don’t usually get from ordinary day-to-day life (even though it’s really there, it’s all over the place; just hidden from view).

“But the point I wanted to make is that this kid really has it. (I’m sorry, Jackie, for using the ‘k’ word and all, but the maturity in your writing is way beyond what most people are capable of at 39 years of age, let alone 19, fer chrissakes!) she’s really got her own voice, and that’s a big damn deal in an unoriginal and mediocre era. A fresh voice at that, and full of substance - real substance. I don’t know where she gets it from, but I love it. If she isn’t published-so-much-she’s-jaded by this time two years from now, then this world is vastly more fucked up than I thought it was. The world owes itself this one favor: to drink her writing in like the sweet nectar that it is, to celebrate it in excess. Jackie Corley is the Walt Whitman, the Ernest Hemingway, the J.D. Salinger and the Jack Kerouac of the twenty-first century. Period.”
-“X” Jeremy Jarratt, posted at Transmothra.com on December 24, 2001